Supping on the Socialist Cheese of Hate

If you haven’t listened to The Bugle with Andy Zaltzman and The Daily Show’s John Oliver, then do. I was bent double hearing Zaltzman read this listener review. From Episode 24, “possibly the most spectacular e-mail ever sent to The Bugle,” addressed to “Oily and Schmaltz,” goes out on this high note:

Wouldn’t you rather grow up to be real philosopher comedians rather than remain bum dwelling trouser fleas? The socialist hate-cheese is rich in protein but lacks essential brain building vitamins. That kind of leftist mental death is a sorry road. Next you’ll be arrested looting shops or scrawling graffiti on train sheds during imagined Bilderberg conferences.

Now stop it and be good boys. Try funny.

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The Giant Pool of Money

Excellent episode of This American Life last week, The Giant Pool of Money, examines the development of the mortgage and credit crisis. Alex Blumberg and Adam Davidson tell the story of the $70 trillion “global pool of money”—the savings held by insurance companies, central banks, and the like. In recent years the pool has grown at a rapid rate, almost doubling in size since 2000, generating a demand for places to invest that has outpaced the growth of good investments.

According to the report, an increasing number of investment managers turned to residential mortgages because they weren’t getting a high enough return on more conventional securities. In 2002 Alan Greenspan reduced the Federal Reserve funds rate to 1% (down from 3.5% before September 11, 2001), further increasing the time to make a return on investment in U.S. Government Treasury bonds.

Before too long a couple of things converged: traditional prime mortgages with a low risk of default were in short supply, and mortgages were being held for much shorter periods by lenders because they were being sold on Wall Street as fast as possible. Enter the no income, no assets mortgage.

The interviews in this piece brought to mind some of the shady characters that Elena and I met around a year ago, when we were looking for a house. I asked one broker on the phone why he was offering us a particular deal. His response, “Because I like you.” If that’s mildly amusing, you won’t want to miss Glen Pizzolorusso’s story… The episode is available to download without charge until Sunday.

† We ended up finding a great mortgage broker in the end. Happy to compare notes with anyone who’s interested.

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Plain Text is a Design Pattern

The weakest feature in most e-mail clients is their set of text manipulation tools: Outlook, Thunderbird, Mail.app and Eudora (not to mention any webmail client) all provide substandard options for working with plain text. But where e-mail clients fall down is where a good text editor really shines. My favourite is TextWrangler.

When writing e-mail I need it to be succinct, structured and relatively comprehensible when read out of the context of a discussion thread. I don’t want my document to look like the page of a journal or novel, or to have subtle formatting variations such as italics or indents. I want well-structured, basic content in plain text.

Gruber has a great article about the problem of top-posting: quoting the entire message and replying above it. A more readerly approach is to excerpt relevant parts of the message (and even then, only if necessary), and to reply below. This creates e-mail messages that are meaningful long after the fact, and better concentrates keywords for later retrieval.

So although I use Outlook at work (my organisation moved to Exchange server last fall), I compose all but the simplest messages in TextWrangler and then copy and paste the text. Cleaning up messages is simple. TextWrangler’s recording function is sweet and easy to use. I quote a selection with a few keystrokes based on the following script:

tell application "TextWrangler"
    activate
    strip quotes selection of text window 1
    remove line breaks selection of text window 1
    increment quote level selection of text window 1 quote string
        "> "
    rewrap quoted text selection of text window 1 width 65
        indentation none with paragraph fill and relative
end tell

I use the same script when composing messages for webmail. This probably seems like a huge amount of work to most people. It is work, but not “huge,” and certainly worth it. The biggest difference it makes to the work of communicating by e-mail is that it saves the reader time (whether that is the person I’m replying to, or me at a later time). This is important for anyone who deals with a lot of e-mail, and especially when collaborating on projects.

The reason it’s so efficient is that plain text is a design pattern: a familiar method of text presentation with little variation across implementations. When your e-mail client renders a message in plain text you don’t need to spend much time adjusting to the typeface, the type size or weight, the line height, the line length, any first-line indentation, non-standard colours, or paragraph alignment—because they are the same every time. The amount of idiosyncratic presentation controlled by the message author is dramatically reduced because when you’re writing in plain text you don’t have many options: line breaks are about it.

Succinct, bottom-posted, plain text messages will, to most recipients, display the same way every time, will wrap nicely to the width of their message display window, and—if they’re stored in a database—will mostly likely come out of it looking the same as when they went in.

Update: Searches appearing in my referrer logs jogged my memory of five.sentenc.es: short, sweet and a nice corollary to the plain text argument.

Using Synergy to copy between machines.

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Content Precedes Design

Zeldman nails it: “Content precedes design. Design in the absence of content is not design, it’s decoration.”

For me this means changing the problem from “we need a web site” to “this is what we need to say.” I try to write out a new site purely as text. If I don’t do this I can’t see the problems that the design needs to solve.

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The Hold Steady

The Hold Steady at Spring Fling

The Hold Steady, performing at Spring Fling yesterday, were awesome. This got me in trouble, because I neglected to keep up with current events; I didn’t know they were in the lineup until I heard them warming up around noon. I felt them from my chair, then heard some familiar hooks, then thought “oh, crap”. Elena’s a gigantic fan, and couldn’t get away from work. Since I missed out on TV On The Radio last year, you’d think I would have learned my lesson—check Wesleying at least once in April.

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Punch & Pica

New design studio in New York run by Emily Lessard and Sue Oh. Their invitations for The Seventh Side of the Die are my favourite, and the What Happens Next conference guide is a gem.

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That Julianne Moore Cover

Regarding the inimitable Julianne Moore on the cover of Vogue:

“She looks hot! But the whole thing is sort of unseemly. But it’s FRENCH! But it’s just TOO MUCH. But maybe it’s SEXY. But it’s also sort of creepy. But that color is great. But I don’t need to see her in this S&M panties-coordinated-with-belt thing. But at least it’s interesting! But it makes me feel sort of uncomfortable. But maybe that’s the point! But I hate it. No, I love it. No, it’s terrible. No, it’s AWESOME. No. Yes. No. I don’t know. GOD, WON’T SOMEONE PUT IT TO A VOTE?!”

Your wish is my command, dear reader…

It’s been going on for a while. I can’t resist Heather and Jessica.

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